Characterized by a strong interest in engaging the audience on multiple perceptual levels, the music of Colombian composer Felipe Tovar-Henao (b.1991) has been consistently awarded and performed throughout his emerging professional career. His creative work is deeply rooted in aesthetic experiences with technology, philosophy, and cinema, and exists primarily within the realms of chamber, electro-acoustic, multimedia, choral, vocal, and orchestral music.
Recent highlights include being a resident composer at the 2020 Mizzou International Composers Festival, being a finalist of the 2019 SEAMUS/ASCAP Award, as well as receiving the 2018 SCI/ASCAP Student Commission Award and the 2018 ASCAP Foundation Morton Gould Young Composer Award.
His music has been performed by artists and ensembles such as Alarm Will Sound, Sound Icon, IU New Music Ensemble, Hear no Evil, Sociedad de Música de Cámara de Bogotá, Ensamble Periscopio, Andrés Orozco-Estrada, Orquesta Sinfónica EAFIT, Primavera Cuarteto, among many others. Similarly, he has received commissions and grants from institutions, including SCI/ASCAP, Mizzou New Music Initiative, FilarMed, Indiana University, Colombian Ministry of Culture, Alcaldía de Medellín, and Universidad EAFIT.
He has been a featured composer at a variety of international festivals such as WOCMAT (Taiwan, 2019), Electroacoustic Barn Dance (US, 2019), SCI National Conference (US, 2019), SEAMUS National Conference (US, 2019, ‘18), Seoul International Computer Music Festival (South Korea, 2017), IRCAM’s CIEE Summer Contemporary Music Creation + Critique Program and ManiFeste Academy (France, 2016), Electroacoustic Music Midwest (US, 2016), and the Midwest Composer Symposium (US, 2019, ‘16).
He has been recently appointed as the 2021-22 CCCC Postdoctoral Researcher at the University of Chicago.